In Rebecca McClanahan’s essay “Bearing Life: Liferower,” she uses extended metaphor and rhythm to illuminate theme. She is comparing her endurance in life to rowing a boat and the constant pacing of a heart beating. In comparison to her own journey, is a computer generated “pacer,” contrasting society’s expectations of women.
“Liferower” has dual meanings. In the opening line, “There I am on the Liferower screen, the computerized woman in the tiny boat, and the little woman rowing below me is my pacer” McClanahan sets up a metacognitive view of how she sees herself while exercising. The symbolism that her exercise is the steady rhythm, “my pacer,” which is the center, or heart beat, of her life. “’Keep up with the pacer,’ blinks the sign on the screen” has dual meaning as to McClanahan keeping up with her exercise routine and a woman keeping up with an industrialized society.
In “with my father in space-time,” McClanahan describes “The first time I felt my heartbeat I was eight years old.” She weaves themes of the heart through her body of work in both literal and figurative ways, “My father’s valve has been replaced with plastic that clicks when he overexerts himself.” Her writing explores the father/ daughter relationship, and in it comes the question, “If I have no one to care for, who will care for me?” With this worry of a woman, comes the statement, “And the hearts of women beat faster and harder, both waking, and sleeping, than the hearts of men.”
As she recalls her younger self, the measurements of her wedding dress, she states, “The marriage lasted three years, three years longer than it should have because I was determined not to fail. My mother was my measure, my pacer, and when my husband began turning from me, I rowed faster and faster toward him. I would work harder, cook more of his favorite foods, steam his khakis with a sharper pleat.” Although McClanahan does not identify herself as a feminist, she cannot help but illuminate in her writing the expectation of a woman’s role, the physical toll to meet it, and society’s backlash once she falls short of it. The next line, “Lean into the stroke. Keep up with the pacer. You are three boats behind” shows her “rowing” what the waters have brought her, and yet behind according to the computer generated pacer.
McClanahan addresses issues of ageism in her essay with “On the rower beside mine, a young woman pumps with long, tanned legs and pulls with lean, muscled arms that she probably believes will never soften.” McClanahan, the older woman, is invisible to the weight instructor of her own age. “He does not see me.” Yet, the younger woman is so belabored in her own movement, she is not enjoying these moments of her youth. “She watches her reflection in the floor-to-ceiling mirror as if her body belongs to someone else. Her forehead is prematurely lined with worry; she is not enjoying this.” Our physical appearance as women is objectified to the point we are out of our own bodies, seeing our reflection in the mirror, disconnected to the experience within our own skin.
“The child I chose against would have been born into the cramped space of my life between marriages.” Here, her use of alliteration, adds a literary lilting quality in contrast to this harsh reality of her life. “I still ask myself how it could have happened. Things happen.” There is the blaming of herself in the choice and yet, at the same moment, the judgment is lifted in how life happens. In the description, “The doctor, who is kind and slightly plump, his forehead lined from having seen too much,” uses the imagery of the forehead again as a symbol of worry. Here, the gender roles overlap, the doctor is concerned for her and tries to offer some words of advice. Unfortunately, his method is not comforting, but rather patriarchal and patronizing as he “holds up a glass bottle filled with something bright and red. ‘This is pregnancy,’ he says, believing it is for your own good. ‘Don’t let this happen again.’” As if there were no repercussions to a woman’s decision.
The metaphor of the liferower and the symbol of the bloody pumping heart continues with, “Five boats ahead of me, the pacer slides over the finish line, leaving red buoys bobbing in her wake.” It is a race between the woman and the computerized pacer. “I place my fingertips on my carotid artery and begin the count that will bring me back to myself.” This is an essay about a woman’s journey to find her own pace while rowing through life. “Easing up on the rope, I pump slower, slower, my boat cruising past the crowd of bystanders waving from the shoreline.” I tell my students the theme is what you take away from a piece of literature—it is your message from the author. As women, we must listen to the own beat of our hearts, even if we cannot keep up with an industrialized society’s expectation of how women should physically labor in order to win the race.
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*How Do You Keep A Guy Interested After Sleeping With Him*. Don’t rush him
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